How does a company founded in 1948 get into digital asset management software?

Friday, September 3, 2010 by Jake Athey
Old Article, Common Question: How does a company founded in 1948 get into digital asset management software?
 
It’s a confused look or baffled pause we get every time someone evaluating our digital asset management services asks “How long have you been around?” and we respond with an answer that starts or ends with “…60 years!” 
 
In the mid 1990s, as a 40-some year old family-owned company creating and manipulating large volumes of massive image and page files with our prepress operations, Widen created a problem for our customers by not having a means to easily manage, access and distribute these “digital assets” from different locations across the country. Hence, Widen began the R&D department for what would later be known as Digital Asset Management software.

Widen never thought of providing software that would be left up to the customer’s IT department to install, maintain and support. We’ve always been delivering software as a service provider—placing an emphasis on the Service aspects. The Marketing and Creative people we worked with did not want that then, they don’t want that now, and more common nowadays—IT departments don’t want that either. C’mon IT, why would you want to be taken off supporting your core business applications to devote resources to Marketing with such a specialized and ever-changing demand?
 
Read the WisBusiness.com article “Gonnering: Widen Enterprises thrives through tech transitions” from March 31, 2009 to learn more about the evolution of Widen’s service offering to marketing and creative groups. Or, check out Widen’s History to learn how it all began—starting in 1948 as Widen Engraving, Co. Check out the historical photos of Widen Engraving Co. at Facebook.com/Widen.
 
Widen Engraving Co.

A Day in the Life of Widen Digital Sampling: The Story of LeBron James Hot Market Orders

Friday, July 9, 2010 by Jake Athey
Enthralled in the LeBron James buzz that is “The Decision,” Widen has been part of the “madness” that follows the announcement of the NBA's marquee free agent to leave the Cleveland Cavaliers for the Miami HEAT.

The Widen digital sampling process and web-based digital asset management technologies allow the adidas Sports Licensed Division (SLD) and retailers of NBA jerseys and apparel to start selling LeBron James hot market products within 12 hours of the decision going public. Sources report that the LeBron James number 6 Miami HEAT jerseys are selling like hotcakes and are expected to produce record numbers within the first week.

The LeBron James jersey samples you see on e-commerce sites like FansEdge.com and ESPNShop.com were digitally created by Widen’s digital sampling premedia production team. This saves the adidas Sports Licensed Division time and costs of photographing the physical product samples and beats the need to mass produce the products before they can be sold. In cases like this where the jerseys and apparel are being marketed and sold within hours of “the decision” going public, Widen’s process and expertise plays a key role in meeting the hot market demands.

Here’s the breakdown of the steps for the LeBron James hot market orders surrounding the special telecast of "The Decision" on ESPN Thursday, July 8 at 9:00 PM Eastern time:

1.  Widen received digital sampling orders from the adidas SLD on Thursday 7/8/2010 for all scenarios to James’ decision.

2.  Widen prepared digital samples of the blank team jerseys (front and back) for each possibility including the Cleveland Cavaliers, Miami HEAT, New York Knicks, Chicago Bulls, New Jersey Nets and Los Angeles Clippers.

3. Widen digital sampling technicians added the player name (JAMES) and number (6) to the appropriate team blank (Miami HEAT) at 4:00AM CST on 7/9/2010.

4. The final digital samples were added to the adidas SLD Media Collective web-based digital asset management system and images were sent to the customers by 9:00AM CST on 7/9/2010 to be marketed and sold worldwide.


LeBron James Miami HEAT Digital Samples


For more information about Widen apparel marketing technology and premedia services, check out the Widen Digital Sampling blog or download the DAM as SaaS 2.0 white paper  featuring a Reebok case study.

Breaking News from Photoshop World Orlando 2010

Wednesday, March 24, 2010 by Joy Hamel
NAPP is in Orlando
I'm in Madison, but thats ok cause I've got twitter! Here is the top news so far.

Photoshop CS5 out April 12 2010!
They are not giving out much info but here is a sneek peak at the Content Aware Fill



"One of the biggest requests we get of Photoshop is to make adding, removing, moving or repairing items faster and more seamless. From retouching to completely reimagining an image, heres an early glimpse of what could happen in the future when you press the delete key. How might you use this new capability in your workflow?"

Sweet! Now if your like me and didn't get a chance to make it to Photoshop World in Orlando you can follow along on Twitter #PSW or #NAPP_News. Still want more? Check out www.photoshopworld.com/

xx joy

A Playlist just for Fun

Tuesday, March 23, 2010 by Joy Hamel
Music and Premedia For me music and art go hand in hand. Music facilitates the creative process. So why would that be any different in premedia services? In my daily gig as a pixel pusher, color manipulation and retouching are my creative outlets and music helps my stylus dance across the tablet. Ok maybe that is taking it a bit far... enjoy the show xx joy


MusicPlaylist
Music Playlist at MixPod.com

Tilt Shift Photography in Photoshop

Tuesday, March 23, 2010 by Joy Hamel

street scene raw

Photo Selection
The key to successful faux tilt shift in Photoshop is photo selection. A shot that is looking down onto a street scene is going to give you the most realistic look and feel. Keep in mind that tilt shift photography is used to give the impression of a miniature model so the vantage point of your shot is key. You can use this in a photo composition or as a fun stand alone image. The posibilities are endless.


quick mask


The Moves
In quick mask mode (Q) using your gradient tool (G) set to Reflected, drag a vertical line in an area that you want to keep the main focus of the image. We will use this mask to create our lens blur.

Now exit quick mask and go to Filter - Blur - Lens Blur. The default settings usually give you just what you need, but if you're like me then you'll want to play around and see what else it can do, so go ahead and play. When you've got a blur that you are happy with click ok.

A little bit of Color Manipulation
Now deselect and lets make a few color moves to really bring it home.

hue sat


curve

A miniature model is painted and plastic so adding a hue/sat move and a contrast curve will help to make your faux shot more believable.

The Result

A new take on a plain old street shot! Now go make one and have some fun!

the result gif

xx joy


Color Manipulation Tips and Tricks: Curves

Tuesday, March 23, 2010 by Joy Hamel
pier 39


All About Curves
Using curves in Photoshop CS4 for prepress production can be intimidating to newbies so here are a few tips to help make color manipulation with curves a more enjoyable experience.

Display Options for Curves
If a Curves Adjustment layer is targeted in the Layers panel, selecting the flyout on the Adjustments panel reveals the "Curves Display Options". Here, you can choose to show your numeric values on a scale from 0-255 (light) or 0-100% (ink), Channel Overlays, Histogram, Baseline and Intersection Line.

Adding a Point on a Curve
With the On-image tool selected on the Curves Adjustments panel (that's the one that looks like the hand with the up/down arrow), hovering the cursor in the image area will display a preview circle (bouncing ball) over the corresponding value on the curve.
• Click in the image area to add a point to the curve.
• Click and drag up/down in the image area to add a point on the curve to lighten/darken the targeted value or
• Use the up / down or left/right arrows to move the selected point. (Add the shift key to move it in larger increments.)

Selecting Points on a Curve
With the On-image tool selected on the Curves Adjustments panel, Shift + (plus) will select the next point on the curve and Shift + (minus) will select the previous point.  Shift -click multiple points on the curve to select more than one and move them all at once. Command + D will deselect all selected points.

curves

Deleting Points on a Curve
To delete a point on a curve, select the point and do any of the following:
• Press Delete/Backspace
• Command + click on point (on the panel or from the image area)
• Click and drag the point off of the grid

Curves Grid Preference
In the Adjustments Panel, Option-click in the grid area to toggle more/less grid lines. (10% vs quarter-tone increment)

Adding Color Samplers in Curves

When the Curves Adjustments panel is active, shift-click in the image area to set a Color Sampler. Shift -drag to reposition the Color sampler. Option + Shift-click on sampler to delete it.

Hope these tips help you to gain photoshop enlightenment. Using curves for color manipulation is one of the best ways to control color in your images. An even better way is with camera raws non-destructive color manipulation! Does it get better than this? I think not.

xxjoy


Step 1 – Admit you have a DAM problem. Step 2 – Seek help.

Monday, March 22, 2010 by Jake Athey
Step 1 – Admit you have a DAM problem. Step 2 – Seek help.I’ll be the first to admit… Digital Asset Management is not that sexy. As a marketing guy, it’s hard to get excited about databases. However, the content stored in a DAM system is another story… Of all the content types, digital assets—particularly images and videos—got to be the sexiest! Consider the growth and popularity of online video... Gartner Predicts 25% of content in the workforce to be images, audio or video by 2013.

I understand… you have a limited marketing budget so you’d rather spend that budget on things like social media, search engine optimization, video players and other “cool things.” Isn’t that convenient… Digital Asset Management is the backbone of your marketing efforts because it allows you to better find, manage and repurpose these assets that are the lifeblood of your marketing and promotion campaigns. Social media, digital asset optimization, and video marketing programs all use digital assets as a core part of the marketing message.

If you’re not sure you need DAM, then you may want to read my last post (Why we don’t need DAM…). I apologize for the overabundant use of sarcasm. Yes, small to medium-sized businesses need DAM just as much as marketing teams at Fortune 500 enterprises. And yes, there are still mid-market digital asset management solutions out there… few and far between… but they’re out there.

Step 1 – Admit you have a DAM problem. Step 2 – Seek help.

Now, more on making the case for digital asset management software in your marketing operations. Reference the recent eMarketer article “Marketers Buzz About ROI” that discusses the Marketing priorities for 2010. Many US marketing executives were planning to increase budgets this year as they were much more optimistic about the economic outlook in February 2010 than in 2009 when the recession was in full swing. However, that doesn’t come without scrutiny because the number one priority is focusing on ROI.

Priority #1: Increase Marketing Return on Investment
—according to the “Marketing Trends Report 2010” from Anderson Analytics and the Marketing Executives Networking Group (MENG).

Chart from "Marketing Trends Report 2010." Source: eMarketer

Priority #1 as it relates to DAM—explained.
You’ve made investments in the creation of digital media—photo shoots, retouching, video shoots, editing, stock and rights-managed photography purchases, etc. You’ve made investments in assembling the destination points for your digital media—websites, blogs, social networks, advertising, promotions and print. Now, it’s time to invest in a digital asset management product that will help you realize a maximum return on those investments by getting greater use out of your digital assets. DAM tools make those assets easy to find, distribute, reuse and repurpose while also allowing you to track, compare and measure their value.

Priority #2, 3, 4 & 5 will be introduced and explained in later posts. However, point 3 and 5 deal with brand loyalty and branding—another reason why companies invest in DAM technologies.

Focus on Marketing ROI – Reference the 2009 AberdeenGroup DAM Benchmark Report. Best-In-Class companies are using Digital Asset Management systems to improve efficiency, increase brand consistency and improve return on marketing investments. See the key charts from the report in the blog post for “The Marketers Guide to Justifying Investments in Digital Asset Management.”

AberdeenGroup found that best-in-class companies centralizing access to digital assets are two times more likely to use a DAM system for the marketing functions. These same best-in-class companies reported a 23% year over year reduction in time to market and an 18% increase in average return on marketing investments. On the other hand, time to market increased by 11% for DAM laggards and average return on marketing investment fell by 17%.

Top 3 Reasons Companies Invest in DAM. Source: Aberdeen Group, May 2009

Download the whitepaper "Why Digital Asset Management Should Be Your First Technology Investment for 2010" to learn more about how DAM adopters achieve substantial return on investment including reducing time to market, improving the performance of marketing campaigns, reducing marketing costs and improving brand consistency.

The Bottom Line

DAM is not all that sexy, but you can’t ignore the fact that you need it to power your marketing operations and improve marketing ROI. In today’s distributed marketing environment, shared drives, FTP, CDs/DVDs and tape libraries won’t cut it. Your marketing partners need instant access to your digital assets and you must be able to find, reuse and repurpose assets multiple times and in multiple locations. Marketers don’t just rely on one channel anymore. We are all multi-channel marketers and publishers.  To do more with less, be a more productive marketer and get more out of the investments in creating and distributing assets, you need an asset management system.

Step 1 – Admit you have a DAM problem. Step 2 – Seek help.

Lucky for you, Widen provides DAM as Software as a Service provider, which means YOU GET HELP. With 100% DAM SaaS, you keep on marketing – no IT resources necessary. SaaS includes: guided implementation, shared best practices, help desk available when you need it, admin and end-user training, promotional support, automatic upgrades, ongoing maintenance and technical support. Learn more about Widen DAM SaaS.

Photography and Color Management with Digital Assets

Sunday, March 21, 2010 by Kathy Lewis
This is the sixth video in the series of Widen customer interviews with Jim Scarlata, Senior Marketing Operations Manager for Knaack LLC. In this segment, Jim talks about the photography and color management capabilities of Widen. Not only does Widen provide DAM software, they provide services to create and manipulate digital assets. During or after a photo shoot, Widen can seamlessly import new photos into the online digital asset library. Widen's history and experience with premedia and color management provides a key advantage in having that knowledge level of the content management and structure of the digital asset management system. 


Color Retouching : Return of FrankenFruit

Friday, March 19, 2010 by Joy Hamel
What happends when a production artist has down time? Well, we have fun with Photoshop of course! Enjoy this little movie I made just for the heck of it!

movie


xx joy

Digital Asset Retouching & Masking • Removing a Glass Shower Door • By Matt Anderson

Friday, March 19, 2010 by Matt Anderson
Todays color manipulation involves removing a glass shower door.
 
Here is our original file. The new version of this digital asset required I remove some componets.
Versioning is quite common in our premedia industry.

 
Prepress Services Color Retouching Catalog Production Services Premedia Management

The client asked that I remove all the metal frame work as well as the textured shower door.
Thus leaving a completely exposed tiled shower and all the accompanied hardware.


My first step was to do all the appropriate masking required to color correct,
digial retouch, and digital image manipulation.
 
Prepress Services Color Retouching Catalog Production Services Premedia Management
Prepress Services Color Retouching Catalog Production Services Premedia Management
Prepress Services Color Retouching Catalog Production Services Premedia Management
Prepress Services Color Retouching Catalog Production Services Premedia Management

Once the image was masked I used Adobe Photoshops Content Aware Scaling, Vanishing Point, Object Transform,
Delicate Airbrushing via a Wacom Intuos Tablet, and selective layers with precise masking.


Here is the final image with all premedia color retouch and digital manipulation applied:

Prepress Services Color Retouching Catalog Production Services Premedia Management
 


Animated view showing different steps of the process:

Prepress Services Color Retouching Catalog Production Services Premedia Management
 

Catatlog production services, color retouching, and robust prepress experience go into each and every one of these little gems.

Photoshop Background Extension Example #3 • Premedia Services • Color Retouching by Matt Anderson

Friday, March 19, 2010 by Matt Anderson
Many of my premedia / prepress clients have digital assets that require image extensions based on different uses. Their photo studio might have shot a certain scene in horizontal format, and the image is now needed in vertical for a different purpose. Another scenario may be a picture box in a page layout program ( Quark / InDesign ) is expanded by a graphic designer. The newly formed "white space" needs image data created. As is the case below. My client had a very nice legacy image that was retrieved from the image management system. This image needed to be versioned for a new purpose. My job was to use my high end Adobe Photoshop retouching and color correction skills to expand the bounds of the digital image, filling the new required space. The extension of this room scene wasn't as difficult as the image I posted in the prior blog. The wooden floor boards were easily stepped and repeated as necessary. You can see I did some selective masking and color correction on our clients amazing products.


Before
Color Retouching Premedia Services Digital Media Conversion Color Manipulation Color Management Prepress Retouching by Matt Anderson

After Color Correction and Extending the Lower Floor Boards
Color Retouching Premedia Services Digital Media Conversion Color Manipulation Color Management Prepress Retouching by Matt Anderson

Background Extension Example #2 • Premedia Services • Color Retouching by Matt Anderson

Friday, March 19, 2010 by Matt Anderson
Many of my premedia / prepress clients have digital assets that require image extensions based on different uses. Their photo studio might have shot a certain scene in horizontal format, and the image is now needed in vertical for a different purpose. Another scenario may be a picture box in a page layout program ( Quark / InDesign ) is expanded by a graphic designer. The newly formed "white space" needs image data created. As is the case below. My client had a very nice legacy image that was retrieved from the image management system. This image needed to be versioned for a new purpose. My job was to use my high end Adobe Photoshop retouching and color correction skills to expand the bounds of the digital image, filling the new required space. This particular image may have been the "trickiest" background extension this post processor has ever tackled. Using tricks such as vanishing point, content aware scaling, healing brush, and good ole' fashion cloning. The contour of the tile, light fall-off, and scene elements made this image fierce competitor, but in the end, the results were superb.

Before
Digital Sampling Color Retouching Production Digital Asset Manipulation Prepress Services


New Image with Background Extension and Additional Color Corrections Applied
Digital Sampling Color Retouching Production Digital Asset Manipulation Prepress Services

Background Extension Example #1 • Premedia Services • Color Retouching by Matt Anderson

Friday, March 19, 2010 by Matt Anderson
Many of my premedia / prepress clients have digital assets that require image extensions based on different uses. Their photo studio might have shot a certain scene in horizontal format, and the image is now needed in vertical for a different purpose. Another scenario may be a picture box in a page layout program ( Quark / InDesign ) is expanded by a graphic designer. The newly formed "white space" needs image data created. As is the case below. My client had a very nice legacy image that was retrieved from the image management system. This image needed to be versioned for a new purpose. My job was to use my high end Adobe Photoshop retouching and color correction skills to expand the bounds of the digital image, filling the new required space. This was on of the more tricky images I have worked. Using tricks such as vanishing point, content aware scaling, healing brush, and good ole' fashion cloning.

Original Image
Digital Asset Photo Composition Color Retouching Image Prepress Services

New Image with Background Extension and Additional Color Corrections Applied
Digital Asset Photo Composition Color Retouching Image Prepress Services

Careful selections, masking, and photo composition skills made this image possible. We now have a new media asset repurposed via high end prepress production.

Color Manipulation: Add Depth to Your Images

Friday, March 19, 2010 by Joy Hamel
Create a Luminosity Selection
Starting with a self portrait I created at the Armstrong Redwoods in the Russian River Valley of California. I wanted to add a bit of detail to the highlights and add density at the same time. Here's how I did it!



Loading Luminosity
Cmd + Opt (Mac) / Ctrl + Alt (Win) + 2 loads the luminosity of an image as a selection. This can then be used for a variety of manipulations such as adjusting color or building density.



Command + J will make a new layer out of your luminosity selection. Then I toggled thru the layer modes (do this by hitting V (for move tool) then use the shift and +). I really liked the way multiply adds density and detail to the highlights.

The Result
A lovely image with just the right amount of depth and movement.

the result

xx joy

Color Retouching for Catalog Production Services

Friday, March 19, 2010 by Joy Hamel
A Few Tips to Make Life Easier

stock.xchng - al.cxam

Production artists face many challenges throughout a day. Maybe you need to clone grass from one document to another or quickly shift between brushes and sizes.

All of this can be done super simply with your keyboard, stylus, or mouse. Try these tips to make your life easier!


Resizing Brushes

Tapping the left and right brackets to increase / decrease your brush size is so last year. Try using the new Drag-resize brush cursor keyboard shortcut in Photoshop CS4 to make changes to the brush size. Ctrl + Option (Mac) / alt + right click (win) -drag will increase/decrease brush size. Add the Cmd (Mac) /shift (Win) to change hardness.


Changing Brush Opacity

To change the opacity of a painting tool, use the number keys on the keyboard. Tapping one number assigns the percentage of the hit number (1 = 10%, 2= 20% etc. and 0 = 100%). Hitting two numbers quickly will give you that exact amount (5 + 4 = 54%). Note: If you have a tool selected that is not a painting tool, these shortcuts will affect the Opacity on the Layers panel.


Heal and Clone Between Documents

You can use the Healing brush and Clone Stamp tools between two open documents: Option (Mac) / Alt (Win) -click in the source document and then clone in the destination document.


Heal and Clone Stamp to Multiple Layers

For added flexibility, use the Healing Brush and Clone Stamp tools to clone to blank layers by checking Sample "All Layers" in the Options bar. In addition, you can choose to Sample the "Current & Below" layers. This can be extremely helpful when cloning image layers and adjustment layer information simultaneously.


One More Tip

I recently became a fan of Adobe Photoshop on Facebook and you should too! They post fun stuff and everyone gets involved. From "What's Your Favorite Shortcut" to some interesting posts from NAPP!

Happy Photoshopping!!
xx joy


Using Lab mode in Photoshop to add Saturation to your Digital Image Management & Retouching by Matt Anderson

Friday, March 19, 2010 by Matt Anderson
Todays tip will involve using Lab color space in Adobe's Photoshop CS4. We'll make a curves adjustment layer, tweak the a / b channels, adjust the layer opacity, and BAM! Your photo just got more color than a new 64 pack of Crayola's ! Prepress color management and color manipulation done fast.

Step one, open your image and under "Edit" menu, use the Convert to Profile command, and choose Lab.

Step Two go to Layer, New Adjustment Layer, Curves

Digital Image Management DAM Software Photoshop Processing and Retouching by Matt Anderson Photographer and Advanced Photoshop Retoucher and Color Corrector

Next Select the a channel, click on the curve (straight line) and put a point right at 50,50

Digital Image Management DAM Software Photoshop Processing and Retouching by Matt Anderson Photographer and Advanced Photoshop Retoucher and Color Corrector

Next Select the b channel, click on the curve (straight line) and put a point right at 50,50
Digital Image Management DAM Software Photoshop Processing and Retouching by Matt Anderson Photographer and Advanced Photoshop Retoucher and Color Corrector

Now take the endpoint shown below in the a channel, and drag it over to a point just to the left side of the histogram. In this particular image, the data starts around the 0,30 point.

Digital Image Management DAM Software Photoshop Processing and Retouching by Matt Anderson Photographer and Advanced Photoshop Retoucher and Color Corrector

Now take the endpoint shown below in the b channel, and drag it over to a point just to the left side of the histogram. In this particular image, the data starts around the 0,30 point.

Digital Image Management DAM Software Photoshop Processing and Retouching by Matt Anderson Photographer and Advanced Photoshop Retoucher and Color Corrector
 

Our final step is to adjust the layer opacity. The curve layer adjustment at 100% is a bit too saturated. I'm going to set the opacity to 60% as you can see below. This produces a nice looking colorful image, which should standout from the rest of your digital - image assets. This simple color correction technique takes less then one minute, and you can easily automate the process for a group of photos!

Digital Image Management DAM Software Photoshop Processing and Retouching by Matt Anderson Photographer and Advanced Photoshop Retoucher and Color Corrector

*Tip for advanced users. If you select the midpoints we anchored (50,50), use the arrow keys to subtley offest the points position. In doing this you can add / remove color casts to images. Use the a channel for red / green, b channel for blue / yellow. DAM! Color Retouching isn't that difficult after all.
 

High End Grunge Photo Composition

Thursday, March 18, 2010 by Joy Hamel
Photo Composition Tips

If you work in prepress production you are going to have to create a photo composition sooner or later. So I thought I would give you a few tips on how to make two images become one.

Even Lighting and High Quality Masks

It takes a bit of artistic know how and a dash of creativity to pull off a quality photo composition. This first thing I do is bring the two images into the same document. Now compare the lighting, tone, and "style". The final look might be directed to you from an art director, client, or it might come from your own artistic style.

Dancing in the Street


In my example image I used a stock street scene and a model shot taken in my studio. I wanted the final image to look like the model was dancing in the street. On the model I added more hair, tattoos, make-up, a grounding shadow, some light rays in her new hair, and then to achieve a grunge look I added contrast, noise, and desaturated her slightly. 

A High Contrast Background

For the street scene I added lens flare, highlights via a white layer set to overlay, noise and a simple S curve for contrast.

Bring it All Together!

Placement was key as was the grounding shadow for the model. Get these two things wrong and the final comp will just look like a great big cut and paste project. The key is to make it look like you photographed her right there on that street! So how did I do?

Have you made any photo comps that you just HAVE to share? Send me a link or a tweet (@PremediaArts) I 'd love to see what your creating!

xx joy


RAW Presets for Photoshop CS4 & Lightroom: Canon EOS-1D Mark IV by Matt Anderson CS5

Tuesday, March 16, 2010 by Matt Anderson
RAW presets are helpful little buddies ...

Dry version for the more technical: (scroll past this paragraph if your sleepy or hungover)
If you have ever worked with lots of RAW files under tight deadlines you know how important it is to have a streamlined workflow. Repetitious tasks must be identified and engineered into quick and fast solutions. If not, your going to be up for a laborious all-nighter, and that cuts into late night fun time. Whatever your late night fun time may be ... Recently with the release of Photoshop CS4 (also an earlier beta DNG version) Adobe has finally created a bit of parity between manufacturers in-camera photo settings and ACR's Camera Calibration-Profiles Tab. What does this mean for you? Less grief and head scratching, and more time at the beach. Rewind back to CS3 and before. Unless you did some complicated ACR camera calibrations with Macbeth target measurement and validations, your camera JPEG files never matched your RAW files when imported into ACR for processing. Also, you might have struggled to properly color correct files because of gamut shifts in certain color hues. (Saturated reds and greens) Now Adobe has kindly done their homework and provided us consumers with pre-canned discrete camera profiles.

Short and sweet version:
I have created some camera preset profiles for the Canon EOS-1D Mark IV.

You will find the downloads for each of these below.


Install:
Download and decompress the .zip file. You will see the current preset Adobe is offering per the camera model. This preset has naming parity with the in-camera picture styles. (I also thru in a fun one with more to follow ...) Loading these files is easy. There are a few ways to load these into Photoshop CS4. The easiest is to go to the Camera Calibration tab in ACR and click on the little triangular arrow, select load. Navigate to the decompressed .zip file and select load. Now you should see the loaded presets in the ACR Settings tab (which is right next to the Camera Calibration tab. You can also load these presets into the latest version of Lightroom.

Loading Presets for ACR
 
Loading Presets for Lightroom:
You can easily load the Lightroom presets by right clicking on the User Presets text
 

Or, for Mac users, copy the presets into the following directory
 

Side Note!
These presets incorporate Adobes default ACR settings, except when choosing a camera calibration other than "Adobe Standard".


Here is aslightly posterized animated .gif example visually displaying the differences for your viewing pleasure. I have also included a fun version called "Pseudo HDR" that works quite nicely on certain photos.

Canon EOS-1D Mark IV Example
Beautiful Woman on Waile - Maui Beach Hawaii
Photo of a Bikin Clad woman at the Waile Beach Maui Hawaii by Matt Anderson Photography


Closing:
I hope you find these presets helpful. Anyone can make these, the hard part is finding the time. If your like me, usually your in a hurry and process files from the seat of your pants. I try to slow myself down and hone my workflows for better asset management and processing. You will also find these presets handy for importing a large volume of files into Lightroom. Having the ability to quickly apply a preset on import to many files for fast previewing and cataloging is invaluable. Now, if only I could make presets for all the post processing and retouching that follows. I bet Adobe Photoshop CS5 will take care of that! Be the ball Danny ...

LINK to ACR-Photoshop/Bridge Presets (.xmp) & Lightroom Presets (.lrtemplate) (.ZIP File)


Why Widen for Digital Asset Management Solutions and Service

Sunday, March 14, 2010 by Kathy Lewis
This is the thirteenth video in the series of Widen customer interviews with Cheryl Rugland, Agency Director for Edge Advertising. After 21 years, Widen has never let Edge down. Edge thinks of Widen as a partner in providing digital asset management solutions and services. Cheryl explains that there is not another company that can provide the capabilities and service levels that Widen provides to the Edge catalog publishing workflow. Widen has delivered DAM tools and services that provide a huge impact to the catalog production process. Widen has helped Edge cut page production timelines down by 20-30 minutes per page. Edge has been able to reduce freelance time while increasing efficiency with their internal staff. Watch the video to learn more about why Edge has stayed with Widen through 21 years of working together.


Film like Selections in Photoshop • Better Masks for your Digital Assets by Matt Anderson

Saturday, March 13, 2010 by Matt Anderson
This quick tutorial will show you how to make a film like edge on your selection / mask in photoshop. Film has an inherent grain, and if your trying to do some masking or digital asset retouching, a simple blur on a selection line won't cut it.

For our example I'm using a simple textile selection.



Here you can see a quick mask view of the selection, where green denotes the areas selected.



Next I applied a Gaussian blur, radius' of usually 5-10 pixles works well, depending on the size of the transition needed.



Hitting the "tilde"key, you will get a black and white representation of your quick mask selection.



Next we're going to apply the "film" effect to the selection.
Goto Filter/Brush Strokes/Spatter



A setting I have foud that works well is a Spray Radius of 4 and a smoothness of 1.
If your image has less/more grain/transition needed, feel free to tweak the radius value in conjuction with the prior gaussian blur.



Here is the resulting effect on our blurred selection.



Our next step is to take the edge off the grain, and create a subtle and more realstic film grain. Unless your initial image is overly sharpened, you'll want to soften the grain selection edges to match. Here I have used a value of .3 gaussian blur to take the hard edge off.



Lastly, hit Q for quick mask again, this will show the "crawling ants" selection, and proceed to save your alpha / mask.

Matt Anderson Photography how to create a film like selection in your images


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